location : entrance to track 4, waiorua valley, kapiti island
time : 5.03 pm
duration : 25:00
notes : recordings of the mounted specimens of two species of endemic New Zealand birds, the Huia (
Heteralocha acutirostris), and the Laughing Owl or Whekau (
Sceloglaux albifacies)
held in the collection of The Museum of New Zealand Te Papa Tongarewa.
Both these species were driven to extinction, partially through the
actions of European collectors, in the early 1900s. They were both still
recorded as alive during the 20th C's first blossoming, after the
invention of recording technology, but neither of their songs are on
record. Extant however in fragment is the human mnemonic record of the
huia, namely an imitation of the bird as a recording of 1909 Huia Search
Team member Henare Haumana whistling its call, in addition to some
written descriptions and musical transcriptions. in this work, the
silences of the mounted birds recorded in the extinct bird cabinet out
the back of Te Papa Tongarewa in winter 2010, via EVP (Electronic Voice
Phenomenon) techniques for contacting the dead, are transmitted back
into the Kapiti forest. the reference to Lord Rothschild is apocryphal,
and due to a story written up on
Wikipedia about one pair of both
birds being captured for placement on Kapiti Island in the very early
years of its delegation as a bird sanctuary (1897), but these birds
subsequently being diverted instead by New Zealand 'gentleman
ornithologist' Sir Walter Lowry Buller, to England, and the collection
of Rothschild, the son of a banker who kept up a keen interest in
natural history and museology, whom Buller both supplied and had ongoing
rivalries with. Interestingly, there is no verification of this story
elsewhere in the literature. The turn of the century human bungling of a
host of Huia collecting missions around the time of the formation of
offshore island sanctuaries in Aotearoa is however depressingly well
documented, including one story of three Huia captured for transfer to
Kapiti that were never picked up by officials from Wellington, and so
re-released. At risk of making Buller the sacrifical anode in such
stories, the above
Wiki 'chinese whisper' becomes an irresistible
meta-text of sorts. the timing of these birds' extinction coincides
with the pre-history of conservation in New Zealand and the first
efforts to create a set of island sanctuaries for endemic birds. this
inaudible transmission is a double silence, narrowcasting the silences
(the EVP recordings revealed no voices under close analysis but my own,
speaking the date, time and temperature....) of the extinct birds
without receivers. It places an inaudible trace of the melancholy
remnants of Victorian museological economics and colonial attitudes to
the environment into the soundscape of Kapiti, making material the still
recent silence in the biospheric fabric, a hole in the air, a
placeholder where these birds were projected to be.
---
with
thanks to James Gilberd of Strange Occurences Paranormal Investigators,
Wellington, for advice and use of equipment, to Te Papa Tongarewa
collection manager of Birds and Reptiles, Gillian Stone, and to Manaaki
Barrett for showing me where the track, a prime spot for hearing Tieke,
was located.
